Slow learning sometimes gets ugly.
As I dig into a project, I often lose my way. Thoughts meander, new inspirations distract, themes overlap and diverge, metaphors expand and collide. Old wayward ideas have lusty affairs with hot young ideas. Best intentions reproduce, argue, cheat on past commitments, align with other inspirations and have messy seconds with other thoughts from other thinkers. My own thoughts battle with my own ideas.
Like any slow learner, it’s easy for me to get lost in my own learning.
I’ve found a cheap and effective power tool to help me find my way back.
I started using cards to organize thoughts about ten years ago while editing my meandering memoir, Looks Like Howard. I had written a lovely mass of loosely tangled vignettes. From this mess, I wanted to interweave a number of themes and nonlinear timelines into a narrative that would make sense. To do this, I used cards.
I distilled each story, theme, and idea to a single word or phrase that I wrote on a card. Then, I shuffled the cards around in about a thousand different ways until I found a sequence that would tell the story I wanted to tell. Without the cards, I don’t think I would have ever completed the project.
I soon found that cards are more than a tool for organizing writing. Cards can be magic.
I’ve used cards to
- Collect bits of thought and information
- Ask interview questions (interviewees are given a card with one word topic printed on each card, and they choose which they’d like to talk about)
- Organize thoughts and bits of information
- Give as business cards
- Inspire improvised movement
- Trade as a collaborative cultural performance: Artist trading cards
- Transform ordinary to-do lists and reminders to something inspirational
- Tell me what to do next
Why Cards? Why not something else? Unlike digital screen images, or –heaven forbid–sticky notes, handmade cards become a durable, physical, tangible artifact. I can hold them in my hand, put them in my pocket, shuffle them, lay them out, give them away.
I play with various plans and structures and maps. Sure, I could do this on the computer, but with the cards somehow it’s more fun.
When I make my own cards, I find the small format forces me to distill information, inspiration, and ideas to their essence. Plus I get to play with art supplies.
Who else is using cards?
Everybody, it seems. To list a few:
Dave Gray and his people at XPlane
Howard Gardner and Friends: the GoodWork Toolkit
Value Sensitive Design Research Lab
Tom Atlee and the Group Pattern Language Project
Centre for Nonviolent Communication
And then, everybody and her sister seems to be making her own goddessy tarot deck or something like it for divination and fortune telling.
The point is, the cards are so powerful, I’d like to share my process of creating a personal deck for your slow learning journey with you.
And so, I’m offering this workshop,
It’s All in the Cards
A session of convivial art-making as we share the stories of our learning.
Why: to create a personal deck as a tool for use in planning for slow learning.
Where: My home studio in Liberty Village, Toronto
What to bring: I will be sharing my art supplies.
You can bring collage materials, paper artifacts to include in collages,
Your favorite art supplies if you don’t want to use my cheap ones.
When: By appointment. Expect to spend at least 3 hours.
If interested in attending this workshop, or for more information contact Patricia at Kambitsch dot com.
3 thoughts on “It’s all in the cards”
[…] What do we do with our cards now? Read about my card obsession in an earlier post. […]
[…] More about the creation and use of these card decks here. […]
[…] Over the years, I’ve created thousands of cards. Each deck was a labour of love created over many hours. I love the process of hand painting each card, but the work wasn’t exactly something I could offer many people. […]